Saturday, October 26, 2013

Newly Wed

So this is my one act that I am directing for my mask club! I also just submitted it into a playwriting competition. I'm not expecting much but I knew absolutely nothing would happen if I didn't at least submit something, so I'm making progress! haha. Let me know what you think about the script because it is most definitely not a final draft!


SCENE 1

(The apartment on stage is very colorful and ugly. Walls are painted obnoxiously; the couch is very old and tacky. There are boxes all over and maybe a dining room table somewhere. There is a couch, coffee table, and a side table towards the center of the room. Keys are heard jangling off-stage. We hear a man’s voice.)

TIM
(Off stage)
Now remember, I got a really good deal on the place.

SARAH
How bad is it?

TIM
(Entering)
It’s just… colorful.
(He flips on a light switch)

SARAH
What do y—
(As the apartment is illuminated, Sarah stops talking. She doesn’t know what to say and TIM, full of luggage, nudges her from behind.)  

SARAH
Oh, sorry.
(She moves and continues to stare at her surroundings.)

TIM
Was all of this really necessary?

SARAH
Apparently not.

TIM
I’m sorry.

SARAH
I know.

TIM
Then why do you seem angry?

SARAH
I’m just…tonight isn’t really working out.

TIM
Why don’t we just get into bed—

SARAH
We would be in a nice bed right now if you ha-


TIM
Looked at the hotel. I know, and I’m really sorr—

SARAH
I know!

TIM
Then why are you still upset?

SARAH
You didn’t even demand our money back.

TIM
I tried talking t—

SARAH
Not very hard.

TIM
We could have at least stayed the night.

SARAH
There was hair all over the bathroom.

TIM
Not that much.

SARAH
There were bedbugs!

TIM
Look, it’s late. We’re tired. Let’s go to bed and I’ll call the hotel in the morning.

SARAH
I’m gonna unpack a little first.

TIM
It’s after midnight!
(After a look from Sarah he goes in the kitchen for water. Sarah starts unpacking but after a moment her face screws up and we can tell she smells something foul.)

SARAH
Oh my gosh. Did you do that?


TIM
Maybe. Something I ate at the reception hasn’t set well.

SARAH
That’s disgusting--I can’t believe you!

TIM
What?

SARAH
Why didn’t you go in a different room?

TIM
What’s the big deal? You’re my wife now.

SARAH
For less than twenty-four hours!

TIM
My parents always fart in front of each other.

SARAH
That’s horrible.

TIM
You can’t tell me your family didn’t do that.

SARAH
Mhmm. If we needed to pass gas we went into a different room.

TIM
Sometimes it just sneaks out!

SARAH
Inappropriate.

TIM
Look, I’m sorry. It’s not a big deal in my family…
(TIM walks quickly into their bedroom. He walks back out after a few moments with a sheepish look on his face. He goes to help SARAH unpack and they continue in silence for a few moments. SARAH suddenly smacks her hand over her nose.)

SARAH
Seriously Tim?

TIM
I went in a different room.

SARAH
Well it followed you out!

TIM
My stomach feels a little better now.

SARAH
You’re disgusting.

TIM
Sorry.

SARAH
(beat) Well why don't you help me? (Gesturing toward the boxes.)

TIM
Can't we just go to bed?

SARAH
Are you tired?

TIM
(Going over to SARAH and kissing her neck.)
That's not the only reason for going to bed.

SARAH
(Shrugging him off.) No.

TIM
Come on, why not?

SARAH
You pass gas in front of me and then expect me to be in the mood?


TIM
I dunno.

SARAH
It's not happening right now.

TIM
Later?

SARAH
Just help me.

TIM
Okay.
(He opens a box and looks then pushes it to the side. He looks at the next box then pushes it away. He does this two more times.)

SARAH
What are you doing?

TIM
They're clothes.

SARAH
And?

TIM
They're yours… I'll just unpack something else.

SARAH
Just put the clothes away!

TIM
I don't know how you do your clothes.

SARAH
Tops go on hangers, bottoms get folded.


TIM
Alright...
(TIM takes one box into the bedroom. He comes back after a moment with a wad of fabric knotted around a hanger.)

TIM
I don't understand your clothes.

SARAH
Tim!
(SARAH goes over and untangles the mess, showing a long sleeve open front wrap with extremely long tails in the front.)

SARAH
You put it on the hanger like this.
(Puts it on the hanger so the front tails are draping down.)
then you put this on the opposite side.
(Grabs one of the tails and pulls it up and loosely hangs it over the hanger on the opposite side.)
then do the same with the other one.
(She does the same thing with the other tail draping down.)

TIM
(Sarcastically) Oh yeah. I don't know how I missed that.

SARAH
Just unpack something else.

TIM
Thank you.

SARAH
(Staring at what is in the box she has and pulling out two nerf guns.)
 Tim? What’re these?

TIM
They're nerf guns!

SARAH
I know, I meant why do you have them?

TIM
Cause they're fun!

SARAH
They're kids toys.

TIM
Haven't you ever played with one?

SARAH
No.

TIM
You poor deprived child. Here (Handing her one of the guns)

SARAH
How does it work?

TIM
You just put one of the darts in it. Pull the lever then pull the trigger.

SARAH
Okay. (Shoots once) whoa… That’s kinda fun.
(She looks at TIM slyly and then shoots him with a dart.)

TIM
Oh, it’s on!
(Nerf gun war ensues. SARAH trips over the couch at one point and it puts an end to her fun.)

SARAH
That hurt.

TIM
You okay?

SARAH
I’m fine.

TIM
Ya sure?
(TIM approaches SARAH to make sure she is okay. As she starts leaning up to kiss him he shoots her again. She’s upset and the moment immediately becomes awkward.)

SARAH
Where’d you get this ugly couch anyway?

TIM
Came with the apartment.

SARAH
Of course it did.

TIM
What’s that supposed to mean?


SARAH
Nothing.

TIM
Right.

SARAH
It’s just… never mind.

TIM
No. What?

SARAH
Well…

TIM
Yes?

SARAH
I told you to look for a nice apartment.

TIM
This is a good apartment.

SARAH
It’s ugly.

TIM
It’s not that bad. Besides, you weren’t here to help me look at places.

SARAH
I wanted to.

TIM
You could have made it work.

SARAH
My family really wanted me to stay with them.

TIM
You could have gone out after we found a place.

SARAH
My sister had surgery.


TIM
Plastic surgery!

SARAH
You wouldn’t understand. And I asked you to send me pictures.

TIM
What do you mean I wouldn’t understand? And I would have but I had to make a quick decision.

SARAH
A quick decision… Our families are entirely different!

TIM
I got a good deal on the place and you mean your family can afford plastic surgery and mine can’t.

SARAH
Affording it isn’t the issue. The fact that my family even gets it is the issue. And sometimes it’s better to pay a little more for something nicer.

TIM
It’s within my budget… You aren’t going to want plastic surgery are you?

SARAH
So what if I did? And we could put some of my paycheck toward the rent.

TIM
We need to start saving. You don’t need plastic surgery!

SARAH
That’s not what I asked. But we could’ve had a nicer apartment.

TIM
We will later. If it was a necessary plastic surgery then we could talk about it.

SARAH
Necessary plastic surgery? And just how much later are we talking?

TIM
Enough about plastic surgery! I don’t know how much later.

SARAH
My dad offered to get you a job tha—


TIM
I would have hated that job.

SARAH
You’d earn so much more.

TIM
I like my job.

SARAH
I know. But…

TIM
But what?

SARAH
Nothing.

TIM
No, it’s not nothing.

SARAH
It doesn’t matter.

TIM
Why do you do this?

SARAH
What?

TIM
Stop talking.

SARAH
Because it doesn’t matter.

TIM
Obviously it does.
(SARAH turns back to the boxes and starts looking through them.)

TIM
What’s wrong with my job?

SARAH
Nothing. You’re helping people, right?
TIM
Trying to.

SARAH
Then there’s nothing wrong.

TIM
Just say what you want to say.  
(SARAH doesn’t respond.)
 I’m doing the best I can.

SARAH
Maybe it’s not enough!
(TIM is obviously hurt and doesn’t respond. SARAH realizes that she has gone too far and is unsure of what to do. TIM starts looking through boxes then exits to the kitchen. SARAH looks around, trying to figure out how to make him feel better. Her eyes come to rest on the box of toys that had the nerf guns in them. She lights up and heads over to the box.)

SARAH
Tim!
(He re-enters and stands there. SARAH doesn’t say anything as she rifles through the box a little more. She looks up and finally speaks.)

SARAH
You said you learned a new magic trick…
(She pulls out a deck of cards)
You haven’t shown me yet.
(She holds the cards out to TIM who lights up and comes to sit next to her.)

TIM
Okay. Do you want to shuffle them?

SARAH
Alright.
(She takes the cards and shuffles them a few times.)

TIM
Okay, now cut the deck a few times.

SARAH
Mhmm.
(There is a ‘Is this your card trick.’ They should ad-lib during the card trick. Towards the end of the trick TIM should flip over some of the deck of cards and then pause as he is about to flip over another one. The conversation continues at this point.)

TIM
Okay. If the next card I flip over is your card, then you owe me kiss.

SARAH
Alright. But if it’s not, you help me unpack.

TIM
Deal.
(They shake hands and then he flips over her card. She snatches it up to make sure it is her card.)

SARAH
Awesome. How’d you do it?

TIM
A magician never reveals his secrets.

SARAH
Oh, that’s right.

TIM
Now, about that kiss.
(TIM sits back, waiting for her to kiss him. She finally leans in and kisses him and he starts nuzzling her neck, going for more. She pulls away.)
You know this is okay now.

SARAH
I just…

TIM
I waited like you wanted. We’re married…

SARAH
What if you don’t like my body?

TIM
Are you kidding? You’re gorgeous!

SARAH
You’ve never seen me without clothes.


TIM
We could fix that.

SARAH
This just isn’t how I pictured it.

TIM
Things usually never are. Just go with it.

SARAH
I’m sorry.

TIM
What is it?

SARAH
I dunno.

TIM
You are beautiful. You have nothing to worry about.

SARAH
We’ve waited this long. Can we just… wait a little longer?

TIM
(Reluctantly) Yeah.

SARAH
I’m sorry!

TIM
No, it’s fine. I like waiting, waiting’s… great.
(Beat)
I’m hungry. Are you hungry?

SARAH
Seriously?

TIM
We haven’t eaten in hours!
(TIM wanders off-stage and he soon returns with a box of cereal. He sits down on the couch and starts chewing loudly. SARAH has begun unpacking some more.)

SARAH
Must you chew so loud?

TIM
I’m not.

SARAH
Yes, you are.

TIM
I’m chewing like I normally do.

SARAH
No.

TIM
Yes.

SARAH
Whatever.
(SARAH returns to unpacking some boxes but is obviously increasingly annoyed with TIM’s chewing.)

SARAH
Why don’t you put milk in it?!

TIM
We don’t have milk.

SARAH
You were supposed to pick some up before the wedding.

TIM
I know.

SARAH
You forgot?

TIM
What do you think?

SARAH
Go get some milk.

TIM
Are you kidding?


SARAH
Does it look like I’m kidding?

TIM
Where am I supposed to go?

SARAH
Run to the gas station at the corner for all I care, but for my sanity, get some milk.

TIM
Alright…
(SARAH is ruffled as TIM puts on shoes and slowly leaves. He’s still a bit confused. She locks the door after him and takes in her surroundings. She cringes and starts going through boxes, finding a beautiful lamp, throw pillows, etc.  Throughout this part she should be muttering to herself and talking to herself about how frustrated she is, how ugly the apartment is, how she’s frustrated with herself. She looks at the coffee table and has an idea. She rifles through a box and puts a tablecloth/sheet over the coffee table. She sets up a few candles all nice and stands back, admiring her work.  She moves to the couch and rearranges the pillows, tries putting a sheet over the couch, etc. She gets upset as things don’t look good together and she ends up stubbing her toe. She drops to the floor and sees the hideous rug, She tries pulling it up but soon realizes that it is nailed down. She starts scratching at the rug and hyperventilating. She wraps her arms around herself and starts rocking back and forth. She should look disheveled and pitiful at this point. TIM is heard unlocking the door and when he comes in he is not holding any milk. He stops when he sees SARAH and the state of the apartment.)

TIM
Sarah?... Sarah? Are you okay?

SARAH
(Looking up) Where’s the milk?

TIM
It closed about fifteen minutes ago.

SARAH
Of course it did.

TIM
I can go somewhere else if y—


SARAH
No, no it’s fine.

TIM
Are you okay?

SARAH
I’m fine.

TIM
Are you sure—

SARAH
Oh I’m sure. I live in a hidous apartment and my wedding night is ruined. I’m fine.

TIM
It’s not that bad. And it’s our wedding night.

SARAH
And it’s ruined.

TIM
I’m sorry, what can I do for you?

SARAH
(After a silent moment) I’m going to take a shower.

TIM
Right now?

SARAH
Of course!

TIM
Oh… May I join you?

SARAH
Absolutely not.

TIM
Why? It’s our wedding night.

SARAH
Because I’m showering.


TIM
And?

SARAH
I said no.
(TIM backs down and SARAH rifles through a suitcase and pulls out a bathrobe, shampoo, body wash, etc. She walks into the bathroom and closes the door. TIM looks after her and shakes his head. He grabs his deck of cards and starts playing with them. The bathroom door opens and SARAH comes out slowly.)

SARAH
How do you get the shower wand to stay up on the wall?

TIM
Oh I forgot! It broke the other day when I was showering.

SARAH
What?

TIM
I called maintenance to come fix it. That’s really frustrating that they haven’t come out to fix it yet. I’m sorry babe.

SARAH
How am I supposed to shower?

TIM
You just have to hold the showerhead with one hand and do everything else with the other hand.
(SARAH just stares at Tim incredulously.)

TIM
I know it’s really annoying. I’m really sorry. I tried fixing it myself but I just don’t have the tools to do it.
(SARAH starts to relax a little more but still doesn’t say anything.)

TIM
Sorry. I’ll call maintenance again in the morning.
(SARAH nods and then heads back to the shower as she mutters.)

SARAH
I can’t even take a proper shower!
(As SARAH goes back into the bathroom TIM goes back to playing with his cards. A cell phone rings and TIM looks around. He spots SARAH’s purse. He stares at it, unsure of what to do. He finally decides and rifles through her purse until he finds her phone. He is relieved when he recognizes the caller and answers it.)

TIM
Hey, Tina!… she did?.... she must have texted while we were driving back… yeah, tonight has not exactly gone according to plan… the hotel was a little, uh, lacking, so she wanted to just come home… I know, it happened really fast… thank you!... well she’s in the shower right now… I wanted to but she didn’t want me to… you think so?... Maybe I’ll try it…. Okay, I’ll tell her you called. Bye.
(TIM sets the phone on the arm of the couch and ponders for a moment and finally decides. He goes over to the bathroom door and hesitates then pushes the door open.  The door slams close and immediately SARAH is screaming. We hear a few thuds as she continues to scream at him, things like, “Get out!” or “Don’t look at me!” etc. TIM comes running out of the bathroom and shower items are being thrown out behind him. Soon SARAH comes out in a robe.)

SARAH
What the heck, Tim?

TIM
I just—

SARAH
Just what? I told you not to come in.

TIM
But why?

SARAH
Because!

TIM
Because why?

SARAH
I was naked!

TIM
I know!

SARAH
I don’t want you to see me.

TIM
Look, it’s our honeymoon, isn’t that the point?

SARAH
Not in the shower.

TIM
What’s the big deal?

SARAH
I don’t want that to be the first time you see me.

TIM
I don’t care.

SARAH
I do.

TIM
You’re being ridiculous.

SARAH
I told you no.

TIM
You’re over-reacting.

SARAH
Ooh. You’re driving me crazy!

TIM
I just don’t get you right now.

SARAH
I have every right to be upset.
(Rifling through her purse.)
Where’s my phone?

TIM
(Picking up her phone from the couch)
 It’s right here. Oh, Tina called.

SARAH
You went through my purse?

TIM
Your phone was ringing.

SARAH
You answered my phone?

TIM
Yeah.

SARAH
Why?

TIM
‘Cause it was ringing.

SARAH
You shouldn’t be answering my phone.

TIM
If my phone was ringing would you answer it?
(SARAH hesitates for a moment and tries to speak but TIM picks up on it.)

TIM
Right. Why did you tell her you were disappointed?

SARAH
Because I am!

TIM
With what?

SARAH
Everything!

TIM
Everything. Well that’s helpful.
(TIM goes into the bathroom without closing the door and we hear the sounds of him undoing his belt)

SARAH
What are you doing?

TIM
(He stops) Going to the bathroom.

SARAH
The door’s still open.

TIM
Yes it is.

SARAH
Why is it open?

TIM
(He comes back out with his belt undone)
 ‘Cause I didn’t close it.

SARAH
Why?

TIM
Can I just pee in peace?

SARAH
You can if you close the door.

TIM
Okay.
(He goes back into the bathroom and closes the door.)

SARAH
Ridiculous.

TIM
(Not hearing her, shouting)
What?

SARAH
Nothing!
(TIM’s phone rings from the bedroom. SARAH goes into the bedroom and answers it as she is coming back out.)

SARAH
Hello?... Hello?...
(Hangs up as TIM comes out of the bathroom.)
I think you just got prank called.
(Hands him the cell phone)

TIM
You answered my phone?

SARAH
Of course.

TIM
It’s fine…I just can’t believe you got mad at me for answering your phone.

SARAH
I had every right to get mad at you for that.

TIM
Then how come I can’t get upset with you for answering my phone?

SARAH
Don’t try to make me feel bad.

TIM
I’m not! I’m just trying to make sense of you right now.

SARAH
Oh, sorry for being so unsensical!

TIM
You mean nonsensical.

SARAH
Don’t make me feel stupid.

TIM
I didn’t mean to.

SARAH
Yes you did.

TIM
No I didn’t. I would never make you feel stupid on purpose. I thought you knew me better than that.

SARAH
Maybe I don’t.

TIM
What?

SARAH
My parents were right. We rushed into this.

TIM
We just need to talk.
SARAH
We’re arguing!

TIM
Argue, yell, talk, whatever! Let’s just try to work through this.

SARAH
When my parents were upset with each other they went their separate ways for a little while.

TIM
Oh, ‘cause that’s real healthy!

SARAH
I think my parents had the right idea and I think that’s what we should do.

TIM
You’re not serious.
(SARAH starts toward the front door. TIM beats her to it and leans against it. She starts to protest but he just looks at her and gestures toward her robe. She looks down and realizes that she is just wearing a bathrobe and decides going outside is not an option. She starts heading for the bedroom but again TIM rushes there before her. He closes the door and stands blocking it. She tries to stare him down, but he is more stubborn. She eyes the bathroom and makes a quick dash to it. He is fast on the uptake and as she is closing the door he gets his foot in. She pushes, trying to close it before he can get in. He pushes back and she stands there defiantly. He motions for her to go out. She leaves slowly, glaring, and runs back to the bedroom. He runs after her and they disappear for a moment.  From offstage we hear slapping sounds. A small conversation is heard offstage.)

TIM
 Ow. Stop hitting me!

SARAH
I don’t want to talk to you.

TIM
Stop hitting m—

SARAH
Hey! No. Put me do—

TIM
Only if you talk t-

SARAH
No!
(When they come back in TIM has SARAH over his shoulder and she is screaming and hitting him.)

TIM
This may not be how it’s done in your family, but we need to talk!

SARAH
Just put me down!

TIM
You were the one hitting me.

SARAH
Cause you won’t leave me alone.

TIM
(Putting her on the couch.)
I’m just trying to talk to you.

SARAH
I don’t wanna talk to you.
(SARAH crosses her arms and slouches. She looks away from him and doesn’t speak. She is breathing slightly heavily from hitting TIM. There is silence for a minute before TIM gets up and lights the candles on the coffee table. He turns off the lights and turns on some music. He goes slowly over to SARAH and offers his hand to dance.)

TIM
May I have this dance?
(She refuses but TIM keeps trying until SARAH gives in and grabs his hand. They start dancing slowly and a moment passes before SARAH speaks.)

SARAH
I know I get kinda crazy when I’m upset.

TIM
Yeah, I picked up on that.

SARAH
I’m trying to apologize!


TIM
Okay, I’m sorry.

SARAH
I just need a chance to step back.

TIM
Do you need another step?

SARAH
I’m okay now.

TIM
You’re sure?

SARAH
Yes, unless you keep stopping me.

TIM
Right, please go on.

SARAH
It’s like I just… lose it. It’s like I become a different person and I am looking at myself and trying to make sense of why I’m acting the way that I am. I try to stop but this inner monster just takes over and I—

TIM
Babe.

SARAH
And now I’m rambling.

TIM
You’re cute.

SARAH
I… I wish we could re-start the night.

TIM
Why can’t we?

SARAH
Huh?

TIM
We can re-start it here.

SARAH
Umm…

TIM
We’ll leave and come back in and re-start.

SARAH
Are you serious?

TIM
Does it look like I’m joking?

SARAH
I’m not leaving like this.
 (Gesturing toward her disheveled appearance)

TIM
We’re just going out to the doorstep.

SARAH
Okay…
(TIM pulls her through the door and they are heard giggling. We hear the following from off stage.)

SARAH
Ahh, what are you doing?

TIM
Doing this the right way.
(There is fumbling heard at the door.)

SARAH
You can put me down for a minute.

TIM
No, no, I got it.
(The door opens and they come in with Tim carrying SARAH in his arms.)

TIM
Welcome to our… ugly apartment. We can fix it up.

SARAH
Sounds wonderful… Hey Tim?

TIM
Hmm?

SARAH
(SARAH leans up and kisses TIM.)
Let’s go to bed.    

TIM
Are you tired?
(SARAH stares at him until he figures it out.)

TIM
Oooooh.
(Lights fade as he carries her into the bedroom.)


Feeling

I haven't written on here for a long time! I just submitted a couple plays to KCACTF. It is a playwriting competition that happens every year. BYU participates so as a student I can submit 1-2 plays in each of three different categories. So I sent in a 10 minute play and a one act. This is the 10 minute play I submitted. It is called Feeling. I wrote it in about 5 hours total so this is totally a rough draft. But I would really like to know what people think and get suggestions! Thanks!


(On one small part of the stage is a couch and coffee table. A front door should also be visible. KAREN is sitting on the couch reading a book/magazine while action is happening on the other part of the stage. The sheriff, RICHARD, is walking quickly from the opposite side to the side where KAREN is. He is talking into his speaker.)

RICHARD
The boy is not in class. I'm just on my way to his parent's to confirm.

DISPATCHER
(Through speaker)
Okay. We are sending backup to the school. Tell me as soon as it is confirmed.

RICHARD
Okay.
(He gets to the front door and knocks. KAREN gets up and answers.)

KAREN
Oh, Officer Brown.
(She gestures him in.)
What's wrong?

RICHARD
Do you guys own a gun?

KAREN
You know we do. What's this about?

RICHARD
Is your gun missing?

KAREN
What’s going on?

RICHARD
Your son was threatening suicide. He was texting a friend and said he had a gun and was going to kill himself. He’s missing from class and we just need to know if your gun is missing.

KAREN
We always keep it locked up!
(She leaves RICHARD alone and soon runs back into the room)
It's gone! The safe was open... What sho-

RICHARD
Call your husband. I have to get back to the school.

KAREN
Should I go to th-

RICHARD
Wait here until I contact you.

KAREN
Please call me as soo-

RICHARD
I will.
(He hurries out the door and KAREN grabs a cell phone as the lights fade on her. RICHARD gets back on the speaker as he starts across the stage.)

RICHARD
Hello?

DISPATCHER
Here.

RICHARD
Their gun is missing. Shut it down. I'm heading back over.

DISPATCHER
I’ll give ‘em the word. We've got five there already and more coming.

RICHARD
Thanks. I’m on my way.
(The lights come back up on KAREN who is on the phone.)

KAREN
I don’t know. He didn’t tell me much… He just said that Jason’s not in class and that he was threatening suicide… okay… mhmm… oh good. Just hurry!
(She hangs up the phone and is pacing. She looks at her phone and thinks before dialing another number.)
Come on, Jason, just pick up. Pick up the phone… Hi honey! I’m really worried about you, please call me as soon as you can. Please call. I love you.
(She hangs up and falls to the couch. The door opens after a moment and she looks up expectanctly. WALTER, her husband, walks in.)

WALTER
Anything?

KAREN
I’m so glad you’re home! Nothing. I called him but it went to his answering machine.

WALTER
Did he seem off this morning?

KAREN
No, he was happy.

WALTER
Has he been taking his medication?

KAREN
As far as I know.

WALTER
Why don’t we go to the school?

KAREN
Officer Brown said he would keep us updated.

WALTER
I don’t want to just sit around waiting!

KAREN
I don’t either, but what help would we be at the school?

WALTER
I dunno… but I would feel a lot btter being there than here.
(Lights fade on WALTER and KAREN and come up on the other side of the stage where a couple police officers are standing and talking. WALTER and KAREN are walking toward the officers and they stop talking when they see the couple.)

KAREN
Why are all of the students out?

OFFICER 1
We shut down the school.

WALTER
Why?

OFFICER 2
Because a boy has a gun.

KAREN
Jason wouldn’t hurt anyone!

OFFICER 1
Sorry Karen.
(To officer 2)
These are Jason’s parents.

OFFICER 2
Oh, sorry ma’am.

WALTER
She’s right. He won’t hurt anyone.
OFFICER 1
We still need to be cautious and make sure he’s not near any other students while he’s armed.
(OFFICER 2’s speaker has started crackling and a voice comes through.)

DISPATCHER
It’s clear. He’s not in the building.

KAREN
I told you he wouldn’t hurt anyone!

OFFICER 1
But is he a danger to himself?
(Silence)
Karen. Walter. We really need your cooperation.
(WALTER looks away, unable to speak.)

KAREN
He has Bipolar Disorder.
(RICHARD has walked on and is walking toward the group.)

RICHARD
Thanks, officers. I’ll take it from here. The two of you go help get all of these students and their parents home.
(As they leave RICHARD continues.)
I know this is difficult for you guys.

WALTER
He’s never done anything like this before!

KAREN
That’s not totally true.

WALTER
What’re you talking about?

KAREN
Obviously nothing to this extent.

RICHARD
What is it?

KAREN
Well… he’s had a problem with cutting himself in the past.

WALTER
That hardly has anything to do wi-



RICHARD
No, this is helpful. Go on, Karen.

KAREN
He… well sometimes he really hates taking his medication.

RICHARD
What happens?

KAREN
It really lets things hit him. His highs and lows are increased by, a hundred, when he’s off his meds.

WALTER
Why does he do that?

KAREN
Because he hates the way they make him feel! He feels numb to the world.

WALTER
Why haven’t you told me this before?

KAREN
Jason was afraid of you knowing.

WALTER
But you could ha-

RICHARD
Now is really not the time.

KAREN
Sorry. What can we do?

RICHARD
Is he off of his pills now?

WALTER
We don’t know.

KAREN
He usually goes off of them when he wants to feel something.

RICHARD
Like failing a test, fighting a friend, breaking up with a girlfriend?

KAREN
Oh my gosh… Lena.


WALTER
Who’s Lena?

RICHARD
Oh… Lena Morrison.

KAREN
That’s right. She and Jason have been kinda off and on for awhile. They were never “officially” dating though. How did you know her name?

RICHARD
She’s the student he was texting.
(Into his speaker.)
We need to talk to Lena Morrison again.

DISPATCHER
She’s still here with her parents.

RICHARD
Can you send her my way? South side, I’m with Jason’s parents.

DISPATCHER
She should be there soon.

WALTER
How long have they been “off and on?”

KAREN
Awhile. But they’ve been friends for years.
(An officer soon comes on stage toward them, accompanying LENA and her parents.)

LENA
Karen, I’m so sorry!
(She runs to KAREN and they embrace.)

KAREN
It’s okay, we just have a couple questions.

LENA
I’ve been telling them the whole time.

RICHARD
We have a couple different questions.

LENA
Okay…

LENA’S DAD
I think she’s been answe-


LENA
It’s okay, dad. I want to help.

RICHARD
Thank you. Karen says you and Jason have been “off and on” for awhile.

LENA
Oh… yeah, I guess, but not ever really dating!

RICHARD
It’s fine, did anything happen recently that might have… put a damper on your relationship?

LENA
Well. We had a fight a couple days ago.

RICHARD
What about?

LENA
I was tellim him I kind of wanted to try dating this other guy and Jason seemed okay with it, but he’s been really distant the past couple days.

RICHARD
I think that’s enough. Thank you, Lena.

LENA
Can I do anything?

RICHARD
You’ve helped a lot. I think you should go home with your parents now.
(LENA and her parents exit.)

WALTER
So what do we do now?

RICHARD
We start searching.
(He gets on his speaker)
Let’s send out a search party. Start around the school and move out from there.

DISPATCHER
Right away.

KAREN
Can we help?



RICHARD
Why don’t you go home and see if he has gone home. Look around any other place he might have gone.

WALTER
You’ll stay in contact, though?

RICHARD
Of course.

KAREN
Okay, thank you!
(They all exit as the lights fade. They come back up inside the home.)

WALTER
He’s not here!

KAREN
Maybe we should go back to the school.

WALTER
Where else could he be? We’ve already been everywhere he likes to go!

KAREN
Not the park.

WALTER
The park?

KAREN
I know he likes to go there sometimes to think.

WALTER
Then let’s go.

KAREN
If he’s not there, can we go back to the school?

WALTER
Yes.

KAREN
Walter… what if he… I don’t know what… what if we’re to-

WALTER
Shh… it’s okay. We’ll find him.
(He pulls his wife into a hug and the lights fade as they exit. The lights come up on RICHARD and officer 2.)


OFFICER 2
The west side is clear as far as we can tell. We are spreading out further.

RICHARD
Good. Keep going until we find something.

OFFICER 2
Yes, sir.
(As he is exiting RICHARD’s speaker crackles and then we hear OFFICER 1’s voice coming through.)

OFFICER 1
Um… Sherrif. I think you need to get over here.

RICHARD
Where are you?

OFFICER 1
Outside the chain link fence on the far east side.

RICHARD
You find something?

OFFICER 1
Well… we… we found the boy.

RICHARD
How is he?

OFFICER 1
Are his parents with you?

RICHARD
(KAREN and WALTER enter the opposite side of the stage and start walking toward RICHARD.)

They’re headed toward me right now.

OFFICER 1
You better come alone.

(BLACKOUT)